For homeowners with a high fashion sense, “classic” is absolutely everything. The classic is that it was able to return to fashion in contemporary language in a time of great upheaval and come to life again, and the essence of its existence remains unchanged, so YPJL's simple design opens up the space and injects the material with a natural color, which is enough to accommodate a changing eternal home.

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The shape of the house comes from the accumulation of daily habits. “Random shapes create the outline of the case, forming the most organic interaction between people and the environment, making the space more permanent.” Integrate demand, integrate functionality and create the flexibility of +1 rooms, using natural stone and wood textures and rustic scents, and apply metal details to create a living space with a classic feel.

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When the light of day falls slowly and reflects on the side of the house, dust that belongs outside the house also lingers in the dust area after entering the house. Using a ceiling grid shoe cabinet and a suspended marble platform, interspersed with a transitional passage, and a semicircular strip of light on the mirror to resemble a warm welcome greeting, relaxing the orderly restraint through the expanses and completes the homecoming ritual.

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The hand-scraped solid wood flooring responds to the rustic life desired by the owners with its thick feel. The linear semantics extend to the window edge, and the suspended marble cabinet is one of them. Using silver fox marble as a guide, the crosswalk and the living room is connected horizontally; the weight of natural stone tests inward and outward accuracy, the bearing capacity of the hardware, and demonstrates fine craftsmanship.

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At a glance, the warm wood color expands, carefully covering the wooden leather behind the cabinet, and rubbing the titanium strip, which seems to leave a breath free, releasing the closing feeling of the wall. Along with the dining cabinet and glass cabinet doors, you can get your glasses at hand, and arrange the perfect dinner with a table of 8 people.

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Due to the presence of a pressurized low beam in the room, the remaining distortions were filled with a wardrobe. The flexibility of avoiding the concerns of a beam bed was avoided. Rather, the arc was angled in the sky, hiding the beams invisible, and the wooden bedside walls extended to the opposite side, and the arc slowly enveloped the eyes.
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