This is an interesting case and it is probably the response of the homeowner's mind for almost 10 years. Narrating a design designer's puzzle means going deep. Looking back at the change of space is like a change of mind, a search for an ideal state, and it is the perception of the homeowner's perception of life. All this has to be said from the homeowner's house. Homeowners alone own 90 ㎡ of quality living space in the city center. Due to the plan to set up two suites, one reserved for family visits. During the ten years of residence, the homeowner found room occupancy was extremely low, and the frequently used area accounted for only 60% of the entire house. Eventually, the reservation becomes idle, and the living space itself is compressed. So the homeowner found narrative design to create a living space with a whole new type of living. When a homeowner looks at the relationship between living patterns and homes, he understands the specific way of life that the space represents; he puts his needs first, focuses on the present and looks at his own pace of life. The designer speaks of living in the rest of the time with the visual harmony of the deep colors of the studio, the clean lines, but the functional arrangement in place.

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Narrative designer Chen Jianting said that it is difficult to enjoy such living conditions in Taipei. It is crucial to interpret spatial relationships in a simple way. By observing, understanding the needs and habits, and even identifying the philosophies and attitudes that residents want to pursue, thus expanding and giving the home a definition — - Use free space to inject tolerance into life. The most important task of residential design is to blend the spatial relationship clearly, to match the lifestyle to the appearance of the home, and to transform the functional zero into the whole. In this design, the continuous wooden leather surfaces of this design connect the various spatial areas, clearly separating the public and the private, and converging function and movement.

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Arranging the movement in spatial order is the main axis this time. Although it seems simple, uniform black and white contrast, delineation of the field lines, and arc refinements are all to solve spatial problems. After the rearrangement, rearrange the font movement, thereby extending the main visual axis (the railing to the bedroom, the bedroom to the bath, the shower to the living room). viewing wall) to extend the view at maximum depth and, with precise pinching, arrange endview details to create a relaxed and bountiful atmosphere of space. The original house is arranged in 3 rooms, so when the private area is reduced and the public area is enlarged, the existing distribution of beams can easily form a frame. After the layout is shifted, the arrangement of the girder cover and the hidden space becomes a problem to solve. The arcs are not meant to be used for layout, so there are many curvilinear expressions that are visible in the whole case, to free up space; just as the ceiling of a dining restaurant leaves its arc separately from the center, it is delimited by transverse beams, and the two sides are carefully marked with consistency, creating an almost symmetrical visual sense, thus creating a nearly symmetrical visual sense. The difference in the height of the area decreases, which reduces the volume of the beam.

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