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The core concept of transforming this dilapidated Edwardian house is to make the most of natural light. The client's presentation stipulates an effective layout planning that prioritizes “light and flow,” “respect for Edwardian features,” and a preference for “curved edges” and “real materials.” The impact of curved shapes and carefully selected materials is further explored through strategically placed glass and light.
The house consists of a renovated existing residence and a single-storey rear with a roof terrace. KEY DESIGN PRECAUTIONS AVOID FOLLOWING PROTOTYPICAL FORMULAS OF RENOVATED EDWARDIAN OR VICTORIAN HOMES, WHICH OFTEN SEE NEW AND EXISTING RIGID DIVISIONS CHARACTERIZED BY RUSHED COMMUTING THROUGH THE DARK FRONT OF THE HOUSE TO THE BRIGHT BACK. In this plan, the comfort and materiality of the whole family is a priority.
Explore the effects of light on curved shapes and textured materials by drawing inspiration from existing venues and surroundings. A majestic eucalyptus tree dotted with a gorgeous chimney that adorns the skyline, and the dramatic effect of the sun shining on the originally modest patchwork of corrugated roofs and fences, are key influences that resonate throughout the family. Unconstrained by the second floor of the residential area, the roof plane becomes a more vibrant device, implementing two key interventions, refining the method of light, form and texture into a unique interior and architectural language to highlight the home.
The first is the curved skylight, which forms the frame of the entrance hall, which fills the existing part of the house with spectacular views of light and eucalyptus trees. The second is a wide glass north elevation anchored by sculpted bricks. Curved and vertical brick elements have strong functionality — inside, this form captures kitchens, exhausts, air conditioners, sliding doors and laundry rooms. On the outside, it can accommodate a pizza oven and chimney, a woodpile and a garden storage room, while also serving as a balustrade and an overhead screen on the roof terrace level. The project was designed in collaboration with Beatrix Rowe Interior Design and the overall concept was co-developed at the start of the project.
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